Gore: Hart Gore 2LP

NEW Gore: Hart Gore 2LP

Though you may not know it, Holland has long been a land of heavy music and reverberating amps. Take a listen to the Waterpipes and Dykes series on the Distortion Records label and you’ll unveil a late-”60s sonic scene as fully earth-shaking as anything out of Haight-Ashbury or the Motor City. Though the Dutch psych bands borrowed their sounds heavily from the standard U.K./U.S. blues rock models, they had a propensity for taking those familiar modes and blasting them through the ceiling, something that I'm sure the the legality, rampant availability, high quality, and cheap price of weed, magic mushrooms, and other entheogens never hurt. It shouldn’t be a surprise, then, that the Dutch trio Gore were one of the heaviest bands of the 1980s. Aggressive and uncompromising for their time, they were kind of the missing link between late, Process of Weeding Out, instrumental-era Black Flag and the metallic tech-sludge of Saint Vitus or Melvins. “Baptized” in 1985 and playing their first show opening for The Swans on Feb 26, 1986, at Effenaar — a club that sat right next to Amsterdam’s largest and most famous club, The Paradiso — they played alongside, and sometimes shared members with, other heavy Dutch metal bands like Pandemonium and Disgust. Hart Gore, their first album, polarized critics when it came out. Completely instrumental, Gore were taking a big chance, as instrumental math-metal and legions of Don Caballero fans were two things yet to exist. One of the strangest aspects of Gore's muteness on record was how politically vocal they were in their day-to-day lives. In fact, Hart Gore, though completely instrumental, contained a lyric sheet when it was released. More like political manifestos, the "lyrics" were rife with political angst, something which, on stage, they sublimated solely into their music. Gore's second album, Mean Man's Dream, was a more mature, precise outing, metered, mathy, and minimal. The contrast between the two records is best exemplified by their respective cover art: on Hart Gore, a picture of a fresh calf heart impaled on a sword; on Mean Man's Dream, a photo of a rusty knife sitting on an unclean table. In essence, while Hart Gore went straight to lacerating the jugular, Mean Man's Dream dared you to take the knife and do it to yourself. Coming to America in the mid-’80s with the help of Henry Rollins, Gore were to embark on a West Coast U.S. tour, and had been tantalized with prospects of signing to SST. Unfortunately, Rollins had quit Black Flag just before picking them up from LAX, thereby putting a damper on their label deal. A pity, too, as they would’ve been an excellent fit; one could even see them snuggled cozily between Black Flag and Saccharine Trust on the Blasting Concept compilation. Instead, all they had to show for their only American experience was a short West Coast tour and a strong distaste for Greg Ginn's skunky American dope. Eventually, their inability to compromise, both with convention and with each other, led to the group's demise. Today, Gore is not a household name, but perhaps if things had gone slightly differently, they would've been. Their influence is undoubtedly understated, and thanks go to Southern Lord for dusting off this chestnut and not letting the Gore legacy go down the memory hole. Black vinyl in full colour sleeve with printed inner sleeves.

  • 18.00€

Tags: noise rock, instrumental, gore, southern lord